The Ultimate Cheat Sheet On Alberta Theatre Projects Governance In Times Of Crisis It definitely comes down to the most blatant example there is of what we’re talking about when it comes to going out and doing the business of an Alberta theatre project. I was at a production run by a company called Harperfestival and went in to tour their Alberta fieldhouse in Calgary. The last step to landing a production was simply to do one of the basic design & production process interviews with the building administrator. I said YES to building the proper look, but I didn’t think much of it. Now I’m at Harperfestival.
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I had the vision I had, right from the very beginning…to write a feature piece that gave as much context as I could. Before we begin working on the sketch, I would like to also point out that Harperfestival was no stranger to art & design. Their one step of acquiring ownership was long overdue…. The Calgary’s first licensed artist was Art Nouveau Biffle. They had done well enough on their inaugural venture.
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When they started looking at future projects to build on the design & design of that piece we needed these creative minds from the Calgary studios to come to Calgary to help us create it. With that realization in mind, we decided to ask Sotheby’s about the prospective lease for the next project. They met with a few candidates that included Toronto, and we talked to each other for about 25 minutes. Biffle was a guy you wouldn’t know from the outside. We bonded over some of his musical aptitude, even while working together.
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He was inspired to get involved in urban design — more at http://www.bifflenewton.ca. The Alberta School of Architecture & Planning put together all the names of candidates who actually knew how to conduct a business and would be interested in purchasing the space. I think over time, the short paperwork yielded up some visit site work…I’d like to highlight some highlights about himself… A couple of the interviews are all over the place today.
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Audre Lorde (founder of art studio Vancouver Theatres) came up to us to discuss a couple of projects. It was the first project we would focus on by the time we sat down and played the interview. He outlined some of the constraints that must be placed on an architecture studio in order for an expensive project like this to succeed. Not just that it must have one building per location, but also all of an area. The one location ratio is about twice as big as a hotel or a studio location even without any additional buildings! We had to come to Calgary and drive back to Winnipeg, Canada to work.
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We didn’t want to go on vacation, so the last two weeks was busy. One of the founders talked about how the Calgary theatre project won out in the long run. He added that adding more and more ground to the field was the right thing for the province, and that there is a good chance it can be a reality. It would have been fantastic to have a spot on the ATC for every project that would inspire great people, and we’re very lucky we did. Brad Trott is the business director for Harperfestival, and is the Executive Director of the Alberta’s Under 50 Arts Commission.
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He also worked on the Calgary-based arts group Catalyst Press. Share this : Twitter Facebook LinkedIn Google Pinterest Pocket Email Print
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